May 2, 3, 4, 12, and 13 at 6am, 2pm, 10pm: Wes Britton (The Beta-Earth Chronicles) audio interview with Liz Stanley Swope of Vision Resources
May 3: Ward Morehouse III (The Bear Who Lived at the Plaza) at Landmarks West, New York City
May 7 at 12:15pm: Tony Earnshaw (Fantastique: Interviews with Horror, Sci-Fi & Fantasy Filmmakers) at Fantastiq, QUAD, Derby, UK
May 14: John Stanley (The Funniest Comedy Icons of the 20th Century) at CreaturesCon, New Rheems Theater in Moraga, CA
May 27-29: Jackey Neyman Jones (Growing Up with "Manos: The Hands of Fate") at Crypticon Seattle Convention
June: Ann Snuggs (Dick Jones: Where the Action Was) at the Memphis Film Festival, TN
As an independent maverick publishing house that has published autobiographies of Johnny Holmes and Seka as well as veteran actor James Best along with much-need informative ones on Jack Kelly, Ann Harding, and Dan Duryea, they have brought out something really significant and contributed to the worrying gap of information in film studies today with the economic caution and price of academic and mainstream publishers. I not only hope that they will publish other key works but also that aspiring authors will go to their site and discover the unique generous reimbursements they give to writers unparalleled elsewhere. —Film International
Author Ben Ohmart is also the proprietor of BearManor Media, which has launched an impressive series of books for film, radio and TV aficionados. He deserves our thanks and support. —Leonard Maltin, film critic and historian
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As a character actor in film and television, Albert Salmi had a prolific and distinguished career. The son of immigrants from Finland, he grew up in Brooklyn and trained at the famed Actors Studio. Salmi made his first mark in the theater in William Inge’s BUS STOP. Biographer Sandra Grabman combines Salmi’s unpublished memoirs with her extensive research to explore his devotion to his craft, his memorable life, and, finally, the murder-suicide that ended it all. This is an exceptional treatment of a unique story.
This book is has many elements: suspense, humor, tragedy, mystery, and great character and plot development. I was on the edge of my seat until the very end. Fine writers, that Kotar and Gessler team!
Baby boomers will remember Pat Buttram as the lovable con-artist Mr. Haney on the classic sitcom GREEN ACRES, but they may not realize that he was one of Hollywood’s most famous sidekicks—of Gene Autry, no less—or that he was a celebrated voice actor and one of the country’s leading multi-media humorists for decades. Sandra Grabman effectively captures the rise from solid yet humble origins, the comic skills, popularity, and warmth of a man who was a comic icon and much more.
Peggy Ann Garner was awarded a special Oscar for her performance in A TREE GROWS IN BROOKLYN (1945). Parts in other films followed. Garner was not the typical Hollywood child star modeled after Shirley Temple or Elizabeth Taylor; her beauty was natural, “plain,” and she embodied a new paradigm. After her initial success, Garner continued to act, primarily on stage and in television. Her life was complicated by a forceful and unpredictable mother. Sandra Grabman depends heavily on letters and other documents of the prolific Virginia Garner, ultimately rejected by her daughter but always a shadow in her life. The biography of Peggy Ann Garner is, in many ways, stranger than fiction, and Ms. Grabman traces of the ups-and-downs in an affecting manner. A chain of unhappiness and unsuccessful relationships, rather than a charmed existence, lies at the center of PLAIN BEAUTIFUL. This is a story worth telling, and Ms. Grabman tells it beautifully.
NO RETAKES! offers a superb look at the history and early days of television. Sandra Grabman and Wright King (who appeared in many programs in the 1950s and 1960s) provide many general comments and personal stories by the protagonists of this key period. The range is impressive, the writing is heartfelt, and the stories are fascinating. Applause to Ms. Grabman and Mr. King for a job well done.
Mr.Hyatts book on the Carol Burnett Show should be a template that all authors aspire to when celebrating a book with this iconic status. Wesley captures so effortlessly why the Carol Burnett Show was the crown jewel of that Saturday night in the 70 where it was fashionable to stay home with your family and forget all your woes.
I fell in love with this book the instant I read the title. It was as if this book was written specifically for me...a guy who once wrote a book on every TV series idea rejected by the networks since the dawn of the medium. I mean, who else would buy a book about 111 sitcom spin-off pilots that went nowhere? Well, you should, my friend. Because if you love television, and if you're interested in how this crazy business works, this is a must-read. This is virtually a sequel to Irvin's marvelous FORGOTTEN LAUGHS, his book about extraordinarily short-lived sitcoms and written with the same breezy style and indepth research, which involves more than just sorting through old TV Guides (as so many writers of TV reference books do). Irvin has gone out and, in many cases, interviewed the key writers, producers and actors involved in the aborted spin-offs. Where else will you learn about the aborted spinoffs from such short-lived failures as IT HAD TO BE YOU. THAT'S MY MAMA, and ALL AMERICAN GIRL? Or learn about the five, count'em FIVE, intended spin-offs from THE FACTS OF LIFE (itself a spinoff from DIFF'RENT STROKES?) You gotta get this book. And, if you are a true student of television, also buy FORGOTTEN LAUGHS and Irvin's GEORGE BURNS TV PRODUCTIONS.
Christopher Korman 3 hrs · Las Vegas · Author and tv historian Wesley Hyatt's love letter to all those who loved the Carol Burnett Show is ready for pre order right now on Amazon.Wesley dedicated 3 years of his profffessional life to capturing the essence of this iconic show from both sides of the camera .It was a honor to be able to celebrate my father Harvey Korman's 10 years on a show that cemented him as one of the greatest versatile performers of his time on this iconic show and written by a writer without peer Wesley Hyatt.
Colby has captured an era from long ago with honesty , humor and most of all with the integrity of an incredible writer . He brought the Algonquin Hotel back to the ownership of Mary and Ben Bodne. They made this hotel famous by their personal style of making you feel "at home". I could see them, remember all the excitement in the lobby and naturally the incredible food. Reading a few chapters and closing my eyes........ and magically I was sitting in the lobby with the excitement of a Broadway show opening . Thank you Michael for all the wonderful memories.
A must have for fans of radio horror. Superbly collected scripts and wonderful presentation helps bring to life this influential radio series.