The Symphony Behind the Screams – Hammer’s Musical Heritage
Stephen Smith
Novelist stephen laws
Composer Leigh Phillips
The Symphony Behind the Screams – Hammer’s Musical Heritage
The Symphony Behind the Screams – Hammer’s Musical Heritage
BearManor Media

The Symphony Behind the Screams – Hammer’s Musical Heritage

Regular price $8.00 $0.00 Unit price per
Shipping calculated at checkout.

As an Amazon Associate, I earn from qualifying purchases. This site also contains Google Play Books affiliate links; I may receive a small commission if you choose to purchase through them, at no extra cost to you.

The Symphony Behind the Screams – Hammer’s Musical Heritage

John Mansell

Foreword by John Logan

 

218 pages

6x9 size

ISBN 9798887718262 paperback

ISBN 9798887718279 hardback

 

“This rigorously-researched book masterfully blends insights from composer interviews with in-depth commentary, offering an expert analysis of the iconic soundtracks that define Hammer films.”

Steve Rogers, Hammer Films London.

 

“A richly detailed and long-overdue celebration of Hammer’s greatest musical moments. This book is a treasure trove of information not readily available elsewhere. An essential read for anyone wanting to learn more about this fascinating, and occasionally overlooked, part of the studio's legacy.”

Blair Mowat, Composer. (Nolly, Doctor Jekyll, The Amazing Mr Blunden).

 

“Thank you, John Mansell for giving us this unique and thoughtful window into the musical soul of Hammer Horror.”

John Logan Playwright and Screenwriter. (Gladiator, The Aviator, Hugo, Tim Burton's Sweeney Todd: The Demon Barber of Fleet Street, Skyfall, Spectre).

https://jonman492000.wordpress.com/2025/10/07/the-symphony-behind-the-screams/


"There was a time when aficionados of Hammer Films’ memorable film scores had to make do with the odd scrap recorded here and there. That, however, is a situation that has thankfully been remedied over the years, with most of the striking orchestral scores now available in some form or other — particularly those composed by the man who was the doyen of the field, and who might be called its most significant practitioner (in much the same way that Terence Fisher is recognised as Hammer’s key director): the late James Bernard. But Bernard was not alone in his noteworthy endeavours, and several extremely creative musicians supplied suitably unsettling music for many of the classic Hammer films, including one of the very best (in terms of both the film and its score): Curse of the Werewolf, which was scored by Benjamin Frankel. Another memorable contributor was a composer that this writer had the good fortune to know – and who was more than ready to discuss his work, the late Richard Rodney Bennett. While Hammer films are currently undergoing a series of deluxe presentations as part of the company’s latest iteration, what better time for the publication of The Symphony behind the Screams: Hammer’s Musical Heritage by John Mansell, a concise but comprehensive examination of the music that finessed the frissons of our favourite Hammer films. The book arrives with an encomium from Steve Rogers (the man guiding the ambitious reissue programme for many of the classic Hammer films). Rogers notes Mansell’s admirable balancing of composer interviews with in-depth commentary. The encomium is full justified, and – needless to say – Hammer enthusiasts need not hesitate."
- dvdchoices.co.uk