NOPE, NOTHING WRONG HERE: THE MAKING OF "CUJO" (HARDCOVER EDITION) by Lee Gambin

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978-1-62933-135-5

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“It’s not a monster . . . it’s just adoggy . . . .”


No American horror film did more to spikecat adoptions than Cujo (1983). Based on Stephen King’spsychological thriller about a rabid dog, the terror story remains foreveretched into the minds of filmgoers, as well as in the grip marks on manytheater seats.


Lee Gambin analyzes the film scene byscene, including exhaustive coverage of the production from its problematicearly days with originally-assigned director Peter Medak to the final edit byultimate director Lewis Teague. Drawn from interviews with Teague, screenwriterBarbara Turner, and cast and crew, including Dee Wallace, Daniel Hugh Kelly,Danny Pintauro, Jan de Bont, Jennifer Jason Leigh, composer Charles Bernstein,and stunt man Gary Morgan.

With its sophistication and deepsubversive intelligence, Cujo is a biting critique on thebreakdown of the American family, an electric take on the “woman in the storm”story trope, a personal and introspective ecologically themed horror film (asubgenre usually socially and politically motivated), and a perfectly realisedexample of the power of circumstance. It also thoroughly scrutinizes fear—bothreal and imagined—in a sharp and magnetic manner. 


Featuring:

  • -the film’s problematic early days with originally assigned director Peter Medak being fired.
  • -Lewis Teague being brought in to take over as director along with cinematographer Jan de Bont.
  • -detailed insight into screenwriter Barbara Turner’s take on the source material.
  • -over thirty candid interviews with cast and crew, such as stars Dee Wallace, Daniel Hugh Kell, Danny Pintauro, director Lewis Teague, composer Charles Bernstein, and stunt man Gary Morgan.
  • -remembrances from Danny Pintauro’s parents.
  • -highly deserving and loving insight about the late great animal trainer Karl Lewis Miller from his daughter, Teresa Ann Miller.
  • Index. Illustrated with over 200 pictures(most never before seen).


About the author: Film historian LeeGambin has written for Fangoria, Shock Till You Drop, Delirium, and ScreamMagazine, among others. His previous works include Massacred ByMother Nature: Exploring the Natural Horror Film, and We CanBe Who We Are: Movie Musicals of the 1970s. He is the director ofMelbourne-based film collective, Cinemaniacs.

 

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